Appraisal: 1926 Blanche Lazzell "Petunias" Monoprint
Clip: Season 29 Episode 24 | 1m 4sVideo has Closed Captions
Appraisal: 1926 Blanche Lazzell "Petunias" Monoprint
Check out Anne Henry's appraisal of a 1926 Blanche Lazzell "Petunias" monoprint, in Pretty or Pretty Ugly?
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.
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Appraisal: 1926 Blanche Lazzell "Petunias" Monoprint
Clip: Season 29 Episode 24 | 1m 4sVideo has Closed Captions
Check out Anne Henry's appraisal of a 1926 Blanche Lazzell "Petunias" monoprint, in Pretty or Pretty Ugly?
Problems playing video? | Closed Captioning Feedback
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ANTIQUES ROADSHOW DETOURS
Ever wondered what happens to the treasures featured on America’s beloved ANTIQUES ROADSHOW after the cameras leave town? Host Adam Monahan tracks down the juicy afterlives of your favorite finds from PBS’s hit series.Providing Support for PBS.org
Learn Moreabout PBS online sponsorshipGUEST: We found a painting in the bottom of a cedar closet.
I inherited a house and its contents from an elderly gentleman about three years ago.
It's a Blanche Lazzell and that's all that I know about it.
APPRAISER: You're exactly right.
The signature of the artist is right there, Blanche Lazzell, and it's also dated 1926.
This is a monoprint, and a monoprint is something that straddles the medium between painting and print.
And it is done by taking a surface like glass and then the artist will paint on it freehand and then take the paper and press it against the surface.
It's a unique image, usually.
And that's why it looks so painterly where you can see the artist's brushstrokes.
So it looks and feels much more like the artist's hand than perhaps a woodblock print would, which can be inked several times and several images can be made of the same thing.
So chances are this is the only one of its kind.
But because it is pressed against a surface, that's why we use the word "print."
"Mono" being one or singular.
APPRAISER: In the auction market, I would probably estimate it to bring between $6,000 and $10,000.
GUEST: Wow!
Not so ugly now.
My husband said it was ugly.
(laughs)
Appraisal: 1909 Lella Grace Woodward Oil Painting
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Clip: S29 Ep24 | 2m 7s | Appraisal: 1909 Lella Grace Woodward Oil Painting (2m 7s)
Preview: Pretty or Pretty Ugly?
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Preview: S29 Ep24 | 30s | Preview: Pretty or Pretty Ugly? (30s)
Appraisal: 1893 Tiffany & Co. World’s Fair Exhibition Vase
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Clip: S29 Ep24 | 3m 5s | Appraisal: 1893 Tiffany & Co. World’s Fair Exhibition Vase (3m 5s)
Appraisal: Handel Chipped Ice Lamp Shade, ca. 1920
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Clip: S29 Ep24 | 37s | Appraisal: Handel Chipped Ice Lamp Shade, ca. 1920 (37s)
Appraisal: Victorian Memorial Hair Wreath, ca. 1875
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Clip: S29 Ep24 | 38s | Appraisal: Victorian Memorial Hair Wreath, ca. 1875 (38s)
Appraisal: Western Bisque Googly Doll, ca. 1910
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Clip: S29 Ep24 | 3m 9s | Appraisal: Western Bisque Googly Doll, ca. 1910 (3m 9s)
Appraisal: Martin Brothers Stoneware Sugar Bowl, ca. 1890
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Clip: S29 Ep24 | 1m 19s | Appraisal: Martin Brothers Stoneware Sugar Bowl, ca. 1890 (1m 19s)
Appraisal: Early 20th C. Nippon Coralene Vase
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Clip: S29 Ep24 | 58s | Appraisal: Early 20th C. Nippon Coralene Vase (58s)
Appraisal: 1982 George Condo Drawing
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Clip: S29 Ep24 | 1m 26s | Appraisal: 1982 George Condo Drawing (1m 26s)
Appraisal: Eugene Sartre Bow & French Violin
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Clip: S29 Ep24 | 3m 23s | Appraisal: Eugene Sartre Bow & French Violin (3m 23s)
Appraisal: 1918 Mole & Thomas Living Photo & Frame
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Clip: S29 Ep24 | 1m 59s | Appraisal: 1918 Mole & Thomas Living Photo & Frame (1m 59s)
Appraisal: Samuel Yellin Light Fixture, ca. 1910
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Clip: S29 Ep24 | 2m 7s | Appraisal: Samuel Yellin Light Fixture, ca. 1910 (2m 7s)
Appraisal: Japanese Musen Cloisonné Vase, ca. 1910
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Clip: S29 Ep24 | 28s | Appraisal: Japanese Musen Cloisonné Vase, ca. 1910 (28s)
Appraisal: Guido Gambone Vase, ca. 1960
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Clip: S29 Ep24 | 3m 6s | Appraisal: Guido Gambone Vase, ca. 1960 (3m 6s)
Appraisal: Silk-embroidery Mourning Picture, ca. 1810
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Clip: S29 Ep24 | 3m 18s | Appraisal: Silk-embroidery Mourning Picture, ca. 1810 (3m 18s)
Appraisal: 1931 Jakob Bengel Machine Age Necklace
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Clip: S29 Ep24 | 1m 35s | Appraisal: 1931 Jakob Bengel Machine Age Necklace (1m 35s)
Appraisal: Marcus & Co. Opal Pin, ca. 1925
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Clip: S29 Ep24 | 3m 23s | Appraisal: Marcus & Co. Opal Pin, ca. 1925 (3m 23s)
Appraisal: Mission-Style Adirondack Rocker
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Clip: S29 Ep24 | 44s | Appraisal: Mission-Style Adirondack Rocker (44s)
Appraisal: Texas Longhorn Rocking Chair
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Clip: S29 Ep24 | 2m 13s | Appraisal: Texas Longhorn Rocking Chair (2m 13s)
Appraisal: Ming Dynasty Roof Tile
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Clip: S29 Ep24 | 2m 24s | Appraisal: Ming Dynasty Roof Tile (2m 24s)
Appraisal: Folk Art Spool Table, ca. 1900
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Clip: S29 Ep24 | 2m 50s | Appraisal: Folk Art Spool Table, ca. 1900 (2m 50s)
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Clip: S29 Ep24 | 2m 25s | Appraisal: Wall Acorn Clock (2m 25s)
Appraisal: Sarreguemines Pottery Figure
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Clip: S29 Ep24 | 2m 2s | Appraisal: Sarreguemines Pottery Figure (2m 2s)
Appraisal: Gold & Enamel Singing Bird Box
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Clip: S29 Ep24 | 2m 24s | Appraisal: Gold & Enamel Singing Bird Box (2m 24s)
Appraisal: Higgins & Spencer Paintings
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Clip: S29 Ep24 | 4m 1s | Appraisal: Higgins & Spencer Paintings (4m 1s)
Appraisal: Egyptian Revival French Clock, ca. 1880
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Clip: S29 Ep24 | 34s | Appraisal: Egyptian Revival French Clock, ca. 1880, from Des Moines Hour 2 (34s)
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.